The New Yorker calls Stoner “the Greatest American Novel you’ve never heard of.” Despite my ravings, it took three years for me to convince my book club to select it. Perhaps it’s because, in it’s description, Stoner sounds fairly unremarkable. But I feel vindicated in that it received five 5-star ratings, making it one of the highest rated books we’ve read.
About Stoner, The Book
Stoner, the story of an unassuming English professor at the University of Missouri, went practically unnoticed when it was published in 1965 (fewer than 2,000 copies sold). Only after it started getting attention from readers in Europe, did home audiences reconsider, affirm its value and even publish a 50th Anniversary edition. Now, its sales are in the millions, and it has been translated into more than 20 languages.
For me, Stoner is a near perfect novel. The prose can only be described as beautiful. It has structure, characters, symbolism, imagery, mood – this is the type of book that makes me wistful for my days teaching literature. There’s too much to talk about here, and so I’ve linked to other articles for continued reading below.
Synopsis of Stoner
The title character, William Stoner, is an introvert. Having grown up on a farm, he has no plans, no expectations for the future until he his put on the spot one day in his English class. He is asked what a specific Shakespearean sonnet means and – as if for the first time – he understands that there is meaning beyond what is apparent. And, that it is possible to die feeling like a life devoted to something of value will make the inevitability of death less tragic. In this moment Stoner finds license to leave agriculture and pursue literature.
He went out of Jesse Hall into the morning, and the grayness no longer seemed to oppress the campus; it led his eyes outward and upward into the sky, where he looked as if toward a possibility for which he had no name.
In the course of his life, he loves three women: his wife Edith, his daughter Grace, and a lover, Katherine. But the greatest love in his life is that of literature. This life-long pursuit culminates in the most poignant death scene I’ve read in modern literature. (That’s not a spoiler; it’s revealed in the first paragraph.)
In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at the first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another.
There are two antagonists – Edith, who’s evil nature can be compared to Kathy of East of Eden or Ron Rash’s Serena, and Lomax, the department chair who practices revenge on Stoner for Stoner’s actions against Lomax’s protégé. These two forces create an interesting parallel between his “loves” and more importantly how he is motivated (or not motivated) to stand up for himself against them.
Buy it or Bail?
I don’t know how to (first) write a review that is worthy of Stoner and that (second) will convince all readers to pick this up if they haven’t. I can simply say that you should. You will not be sorry, except for the time that it took for you to be convinced to do so.
There was a softness around him, and a languor crept upon his limbs. A sense of his own identity came upon him with a sudden force, and he felt the power of it. He was himself, and he knew what he had been.
Others have written more eloquently and at more length than I about Stoner. I encourage you to read their essays:
There are plenty more, but these are the four I most enjoyed.
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